Crossroads Christian Church relies on Solid State Logic L200 and L500 consoles for live streaming and front panel functions, delivering superior sound quality

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Crossroads Christian Church relies on Solid State Logic L200 and L500 consoles for live streaming and front panel functions, delivering superior sound quality

Crossroads Christian Church relies on Solid State Logic L200 and L500 consoles for live streaming and front panel functions, delivering superior sound quality

United States – During the pandemic, sound engineers at Crossroads Christian Church turned off the sound system and moved the Solid State Logic Live L500 digital audio mixing console in front of the house to another room, where they mixed monitors for the whole praise group. by creating a separate broadcast mix. The improvement in the quality of the live broadcast mix was so noticeable that the church has now added an SSL Live L200 in a new broadcast suite in preparation for the return of the L500 to the front of the house as services continue. nobody start over.

“My production manager, Fred Manuel, mixed monitors and a broadcast mix from the L500 for almost a year,” says Tyler DeYoung, technical director and facade engineer for Crossroads Christian Church, a mega-church in south. California with a congregation of over 8,000 people. members. “And we really noticed a difference in the quality. “

But once the main worship center with a capacity of 3,000 seats is full and the PA is back, DeYoung says, creating a broadcast mix out of FOH, like they did before the pandemic, would be. A step back. “We mix for what’s happening in the room, not for what’s happening online,” he says. “We can make it sound good, but it’s not a dedicated broadcast mix. So in early 2021, the church purchased an SSL L200 from production equipment supplier AVL and systems integrator CCI Solutions in order to be ready for returning worshipers.

DeYoung and his team have integrated the new office themselves, setting it up next to the video control room in a space last used to house equipment for a cell phone tower on campus. The L500 at the front of the house, which was installed in 2017, receives 96 inputs from the stage and now feeds 64 MADI channels using SSL’s Blacklight II hub to the broadcast room. “Our broadcast console is gaining share from the front console,” DeYoung explains.

A Dante SB 32.24 SSL stage box provides local I / O for the L200 in the broadcast suite, for sources such as graphics computers and online broadcast hosts, which are located in a studio adjacent to the room. video. “It’s also for sustainability,” he says. “If we need to do a recording, we can send it upstairs and use the L200 and local I / O for that. “

While the FOH engineer relies solely on the onboard processing of the L500, DeYoung installed outdoor units in the broadcast room to improve his mixes on the L200. “I use the console delay, the bus compressor and things like that,” he says. “Then I have a Lexicon PCM70 which I use for the snare verb and a TC Electronic M-One for a global drum verb, although I also really like the console reverbs; The Effects Rack Cathedral Reverb is probably one of my favorites.

DeYoung also uses Waves plug-ins for vocal and instrumental reverberations with the L200. “We got into Waves primarily for our voice channel, so we can do an automatic live tuning,” he says. “There’s a reason you’re using an SSL bus compressor, but I don’t need Waves to do it for me. This is an SSL console, and it only gives me a sample of latency. Likewise, he says, when someone asks him why he doesn’t use this or that plug-in: “I tell them, I don’t need all of this, I have SSL mic preamps.

To deliver an authentic experience to the online audience, DeYoung mixes into half a dozen microphones positioned around the main worship center. “We have four microphones for the audience on stage, two large diaphragms and two shotgun microphones. We have two other large diaphragm condenser mics on the front, for room ambiance and natural reverberation.

The church broadcasts two services on Sunday morning and one service on Wednesday evening. “We also have a volunteer, Tommy Wright, who mixes for our Thursday night college / young adult ministry,” says DeYoung.

The new hall turned out to be the perfect location, he says. “It’s a decent size and not perfectly square, which is good.” The internal team installed acoustic treatment but did not have to add soundproofing. “Even when the services are running, I can hardly hear anything from the main hall.” DeYoung monitors through a pair of midfield Focal speakers, further referencing the live feed to a TV or through his cell phone or computer speakers.

If home worshipers want a truly authentic experience, they may need to turn up the volume of the livestream, as the church likes the large worship group to be on par with the rock concerts in the worship center. “In the room, we are operating around 98 dB SPL,” says DeYoung. “It could even reach 100 dB. The talking and talking head is in the 76 dB range. But you don’t feel tired. It’s more about energy and fun.

August 6, 2021


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